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Abigail

by Lynnae Gryffin

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  • Streaming + Download

    Words, music and performance by Lynnae Gryffin
    Recorded by Lynnae Gryffin and Cameron Spies in Portland, Oregon

    Mixed by Paul Laxer

    Mastered by Gus Elg, Sky Onion Studios

    Artwork by Dashenka Shleyeva

    Visit www.gryffinmusic.com for upcoming shows and other news.
    Purchasable with gift card

      $5 USD  or more

     

1.
Fragil Ordem 02:57
A fragile order has been broken we are nets hung to be mended a token silence has been spoken years, years in the making on this blind rattling shore surely this is a sign surely this is a sign wait no more fight your constant irritation ground will win its way through your shoes put your red round face to this round grey pebble years, years in the making on this dry rattling shore surely this is a sign surely this is a sign wait no more A fragile order has been broken we are nets hung to be mended
2.
Teller 03:14
Let every filament wave lend me your deadliest graces but never more than two at a time and we could erase our blindnesses we are a whole new kind yes, we are a whole new kind home was strange so we didn't stay long we gave them our names our first mistake we've been cached and saved hidden safe but like yours my footsteps never faded and we on the other side of them don't age well, we don't age well and the choice was not one of two but three we've done our best not to scatter but the urge runs deep and you left every cent you'd earned to me and the best I could do was just count it and watch you leave if these double doors don't bury me when the walls of this place finally shatter when the bricks that we speak meet matter let every hand and wrist wave lend me your deadliest graces but never more than two at a time we could erase our blindnesses we are a whole new kind yes, we are a whole new kind
3.
Our spirits will rise in the morning made paler like dust in the light our spirits will rise in the morning made paler like ghosts in the light I smell the worry in your clothes I hear the echo of another time I dreamed your hands were blind to me- kindly, but empty four-eyes too bright to see taken from quilts and playthings nightly you always swore to me nothing we dreamed would stand for the morning but seeing you sweat like that carries my fears from dusk into waking our spirits will rise in the morning made paler like smoke in the light our spirits will rise in the morning made paler like ghosts in the light you gave me a hat to hide my hair lent me a tail to wear a song to sing in the morning I left the place you could reach me but no one could teach me defenses I was born skinless, unsealed leaking and shaking and noiseless That song you brought to me caught in my throat years and years before breaking trapped in a slurry of things that slipped from my mouth without warning so I stood up too fast everything drained and the floor was beneath me given to spells where the horizon and stars seem to meet given one pivot point the light of the stars track a perfect circle and having passed through our tests we knew once and for all, for ourselves, that the earth was round and we, dizzy, were part of it again little dust of skin on your hands could be silicate, delicate, rock-spun aren't we a test of time, left hand pressed in right?
4.
Copernicus 03:58
If you'll hold a little sun in your cheeks now, in your gums you'll be shining when the stars are done and if you'll take a little walk with the mask off feel the cold joy of never changing again we'll shake 'em off you are a prism free and clear a light bender and this had nothing to do with me you take a crooked path to the bed now to the floor next time ask me clearly please don't scare 'em off I can see that you see I am through guessing this had nothing to do with me if you'll hold a little sun in your cheeks now, in your gums you'll be shining when the stars are done
5.
6.
Abigail i 04:56
Here is a turning point you will be moved out of the way you've made your choice and so have made ours you are a razor's point you will be handled carefully we have scars to show and so will paint yours you are dead to me, damned to be Abigail and as we make our way to this bargain struck over wet things in the park even your matchbook gave me more chances at spark and all that I want is full of seeds and I can't contain the things that need to grow we'll uncurl the edges of the earth to a respectable dish and all things in push-pin reach now just as you'd always wished for the corkboards of tomorrow, wait for a love that gives it's fingers weight I won't need much taming, not for one of your kind it's all of your senses to this one sense of mine through the hot breath of your dreams each night in July that catches your cold exposed left shoulder and practical turn by surprise I drop my guise, I turn, I pause, I fly to the mouth of a river to the cairn-braced stones to the flood line scars to the falls advancing backwards, stray to the poorly sorted substrate, stray what did you see, what did you hear? what things blossomed and withered under your care? see there was a flame, light shy, blue-dipped and black-laced coughing and flighty worth tending in a dark place we are gold you see, cant you see me Abigail? as we make our way down from heavier things the bits that you've lost are still no loss to me here is a turning point you will be moved out of the way you made your choice and so have paved ours
7.
8.
Abigail ii 02:41
Peel yourself out of the corner untangle your skin with the wallpaper today our dreams swarmed one took the nest and one kept the dog and all you touch so suddenly heavy the food you lost slipped from your mouth and fell through the floor and paid our way don't look at me now I'm not clean yet I'm not free of you yet for all our time here I don't know much about what it takes to be brilliantly smitten but I do know love as it's come to me though restless and fickle at times and I'll see no one if that's what it takes to be free of this grief It's a likeness you know with your body chasing the skip that your heart makes grabbing for things that have fallen scattering everything more
9.
Abigail iii 05:06
Told in the strictest of terms to pay attention stop trailing breadcrumbs hands off the table don't bother your father we come to this union heads high and scarred heads high since your mother broke water and gave birth to your brother who was darker than the others not fair like your mother oh the man sang, sang the house down the walls rotten and sweet soft and sweet he is a great and terrible thing when he sings now over the hillside all the dark children and some of their mothers in mansions of cardboard building a future from ash and lye ash, oil, and lye oh what great and terrible things you will find red the horizon, yellow the sun orange the color of shifting sight lines at the heartbreak of dawn orange was change we are great and terrible things when we change
10.
You may have my heart my house this winter both are empty shells to build a home from we creatures have flown trade shelter for deserts and flimsy hopes alone hard to say how years become another they are the shining trail that mark your every movement filled with the weight of your rooms laid thick like dust in your shoes its no wonder we're aging it's too muddy to move and why you say, does no one come near us no one trailing calling you dearie? are we like old ones before trailing your wars? no, we are, oh we are ghosts in the hallway down from the highway slamming your doors as your mother carries you you walk straight through me I was a wind in your cells a family ghost who causes cancers your friends, I know, they fear me but the haunting stops here grab ahold of this wily rudder now only the walls will shake and shudder we hear your cautioning William Reminder gone and lost... I don't know if I'd have heard your song if they'd not sung with you A song for all the people you know with your name William Reminder as your mother carries you, you walk straight through me I was a wind in your cells a family ghost who causes cancers
11.
Peonia 03:53
Oh my, oh my last one for courage and bread here's my last one the fields are full of lettuce for the taking if you can see past the clouds in the break room careful what you name your sons they might run wild for rye grass and vetch here's my last one Oh my, oh my last one look me straight in the eye now how far have you come? on those days when a breath could knock you over and from their mouths a singular kind of weather just give me a quiet house for syrup and jam here's my last one Sun comes in the morning, thunder in the afternoon

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released July 11, 2011

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Lynnae Gryffin Portland, Oregon

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